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David Mamet’s latest play Bitter Wheat opened in London’s West End in June to largely negative reviews, which is somewhat surprising, because it’s terrific. Then again, maybe it’s not so surprising. Most theatre critics are bleeding-heart leftists, and following his embrace of a more conservative attitude, they simply regard David Mamet as a traitor. It’s petty, but it really is that simple. What Mamet has accomplished with this play — ostensibly a theatrical treatment of the birth of the #MeToo movement — is to present the liberal elite mindset for what it is: self-centred virtue signalling coupled with a complete…

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